A Woody Landscape by Sir David Wilkie

A Woody Landscape 1822

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Dimensions: support: 241 x 241 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have "A Woody Landscape" by Sir David Wilkie, a small oil on canvas. It’s a densely packed scene. What stands out to you? Editor: The darkness, definitely. It feels like a commentary on the romanticized view of rural life, revealing the labor and obscurity often glossed over. Curator: Exactly! Wilkie, trained in the Scottish academic tradition, later focused on scenes of daily life. Look at the materiality, how the paint itself creates texture and depth. He's not just depicting a landscape, he's constructing it, almost brick by brick. Editor: It does feel constructed. I’m wondering about the figures in the foreground. Are they laborers, leisure seekers, or both? And how does the painting reflect the socio-economic realities of the time? Curator: It's a worthy question. I’d say, this piece complicates any easy reading of rural idyll. Editor: A valuable perspective; it encourages us to look beyond pretty pictures and consider the layered narratives within. Curator: Precisely, and it encourages us to consider the act of painting itself as a form of labor.

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tate about 12 hours ago

http://www.tate.org.uk/art/artworks/wilkie-a-woody-landscape-n00330

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tate's Profile Picture
tate about 12 hours ago

Wilkie rarely painted landscapes and exhibited only one, in 1817. The present work carries an inscription on the back indicating that it was painted at The Grove, Little Bealings, near Woodbridge in 1822. This was the home of his friend Peregrine Pickle Nursey, an amateur artist. Wilkie's picture appears to show some of the Nursey children with their ponies. At the time Wilkie was on his way to Scotland to witness George IV's entry into Edinburgh, a subject he, along with Turner and William Collins, was planning to paint. Gallery label, September 2004