Vier Perzische vrouwen, gekleed volgens de mode van ca. 1580 before 1581

Abraham de Bruyn created this engraving, "Four Persian Women Dressed According to the Fashion of about 1580," sometime between 1540 and 1587. The composition, divided into four distinct figures, utilizes line work to define the subjects, creating a textured surface. The contrasting densities of lines not only delineate the forms but also suggest the varying textures of fabrics and ornamentation. De Bruyn’s strategic use of line draws our attention to cultural and societal differences that may have been present at the time. The figures on the left, adorned with elaborate garments and headwear, contrast with the simpler attire of those on the right, indicating social and religious status. The precise details of their clothing and ornamentation serve as signs, offering insights into cultural codes that may have governed the representation of identity during the late 16th century. The lines form the visual architecture of the print. This demonstrates how aesthetic form in the work can intersect with broader cultural, historical, and philosophical themes.