The Prodigal Son 1913

Auguste-Louis Lepère made 'The Prodigal Son' using etching, a printmaking technique that relies on finely drawn lines. It's all about process, isn't it? Look closely at the way Lepère creates depth and texture by layering these tiny marks. The whole scene shimmers in pale light. See how the delicate strokes capture the foliage of the trees, or the rough texture of the thatched roof. It's as if Lepère is building the scene one line at a time, almost meditative in its application. The marks around the trees in the middle distance are especially good. They create a fantastic atmospheric perspective. It reminds me a little of Rembrandt, actually, someone else who had a real skill at suggesting depth in this way. Like Rembrandt, Lepère understands that art isn't about perfection. It's about embracing imperfection and ambiguity.