Man en vrouw de liefde bedrijvend op vloerkleed by Katsushika Hokusai

Man en vrouw de liefde bedrijvend op vloerkleed 1815 - 1823

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print, woodblock-print

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16_19th-century

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print

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asian-art

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ukiyo-e

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woodblock-print

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romanticism

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watercolour illustration

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genre-painting

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nude

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erotic-art

Dimensions height 257 mm, width 387 mm

Curator: Before us is "Man en vrouw de liefde bedrijvend op vloerkleed," which translates to "Man and woman making love on a rug," a woodblock print made sometime between 1815 and 1823, by the famed Japanese artist Katsushika Hokusai, residing in the Rijksmuseum collection. Editor: The entanglement of limbs creates a strong, almost dizzying, diagonal composition. The stark linearity contrasts surprisingly with the intimacy of the subject matter, rendering the encounter rather detached, clinical almost. Curator: This is a "shunga" print, a genre of erotic art popular in Japan, particularly during the Edo period. It’s fascinating how shunga served various functions, from fertility aids to marital guides and even as talismans. Editor: Beyond its erotic nature, there’s a sophisticated dance of symbolic codes at play here. The very act becomes a canvas for conveying social and cultural values, no? The choice of hair pins, the detail on the floor covering, even the slight grimace can tell a unique story. Curator: Absolutely, the linework delineates space and form efficiently, while the subtle gradations in color establish depth, albeit limited, offering us a considered perspective rather than just raw sexuality. Look at the economy of the marks. Editor: What intrigues me are the layers of narrative woven into what appears as a purely sensual moment. Each object, each gesture serves as a key, inviting the viewer to unlock the broader context and its implications. Curator: The artist uses precise lines to outline forms and delineate intricate details. The flat, unmodulated areas of color are contained neatly. Note the lack of atmospheric perspective, further flattening the scene, which accentuates the graphic nature. Editor: By viewing the artwork through the lens of cultural symbols, one unearths narratives often overshadowed by the piece's explicit nature, revealing broader implications concerning gender roles, class, and power dynamics. Curator: In all, Hokusai’s print shows a controlled elegance, typical of Ukiyo-e style, with bold subject matter contained neatly by highly refined visual elements. Editor: In this seemingly intimate snapshot, cultural norms whisper loudly. The image captures far more than just a physical encounter, it is a complex exchange, rich with historical insight.

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