Podoba z biografu 1915

Josef Capek created this intriguing portrait, “Podoba z biografu,” using oil paint on canvas. The flat application of pigment, almost like a poster, gives the image a graphic quality. Capek’s faceting of the human form shows an awareness of Cubism. Yet, it is even more reminiscent of wood carving: the bold planes of the face, the sharp angles, and the crisp edges all suggest the removal of material, rather than its additive buildup. The somber palette reinforces this impression. The First World War undoubtedly shaped Capek’s worldview and artistic expression. The mechanical, dehumanized aesthetic seen here speaks to the experience of industrialized conflict and reflects the artist’s profound concern with the human condition in the face of modern society. Paying attention to materials, making, and historical context enriches our understanding of this compelling portrait, blurring the line between fine art and craft.