Spurven og Duen by Alexia von Lode

Spurven og Duen 1760

0:00
0:00

print, etching, engraving

# 

print

# 

etching

# 

landscape

# 

etching

# 

engraving

Dimensions 200 mm (height) x 133 mm (width) (brutto)

Curator: Welcome. Here we have "Spurven og Duen," or "The Sparrow and the Dove," a 1760 print—likely an etching or engraving, considering the fineness of line—by Alexia von Lode. The artwork is held within the collection of the SMK, the Statens Museum for Kunst. Editor: It's funny; my first reaction is tranquility… and a slight feeling of melancholy. The limited palette, almost monochromatic, gives it a dreamlike quality. The detail, though—especially in those trees! It's quite astonishing. Curator: Indeed. Note how von Lode manipulates light and shadow to define form and create depth. The composition, a rather masterful balancing act, utilizes the stark, slender trees on the left to counterbalance the heavier structures to the right. The lines, predominantly diagonal, lead the eye carefully into the receding background. Editor: That spire piercing through the trees adds another layer, doesn’t it? Sort of a gentle intrusion of civilization. But what's striking is that she made something beautiful out of everyday scenery, a place that’s probably a bit muddy, perhaps even smelly. It's idealized without being grandiose, which is kind of disarming. Curator: Precisely. Von Lode likely employs a convention characteristic of landscape prints during this period, offering an idealized version of the rustic, thus creating a serene scene divorced from quotidian hardships. The meticulous technique with the engravings enhances the picturesque qualities valued by the artistic taste of the time. Editor: Looking at the ripples in the water, and those haphazard beams that seem to be both bridge and obstacle… there's a lot to ponder in this quiet little image. Makes you wonder what stories that old barn holds! Curator: One can appreciate "The Sparrow and the Dove" not merely for its technical merit, but its masterful orchestration of forms. It is quite simply, as Roland Barthes might put it, an exquisite semiotic device that offers visual codes indicative of a serene eighteenth-century pastoral ideal. Editor: After closer observation I have to say: the ordinary becomes extraordinary in Von Lode's capable hands, leaving us a piece that continues to provoke and charm in equal measure. Curator: Yes, quite. "Spurven og Duen" offers a compelling tableau; its complex visual vocabulary remains as potent today.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.