Dimensions: frame: 776 x 1020 x 48 mm support: 726 x 972 mm image: 722 x 965 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: John Varley's watercolor, "Suburbs of an Ancient City," paints a dreamlike vision. It's classical, but tinged with Romanticism, wouldn't you say? Editor: A grand, tranquil stage. The mountains presiding over both nature and man, their peaks softened by the sheer scale of history represented. Curator: Exactly! Varley, who lived from 1778 to 1842, was obsessed with ideal landscapes, and here he blends reality with the imagined past. It's quite architectural, isn't it? Editor: The architecture seems to act as a reminder, both beautiful and ruined. See those figures by the water? Reminds me of the cyclical nature of civilizations, constantly rebuilding. Curator: Yes, there's a melancholy to it, the knowledge that even the grandest structures fade. It’s a reflection, perhaps, on our own fleeting existence. Editor: Absolutely. It’s a gorgeous piece that invites us to ponder the weight of time, all captured in the softest washes of watercolor.
http://www.tate.org.uk/art/artworks/varley-suburbs-of-an-ancient-city-t05764
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This work by one of the founder members of the Old Watercolour Society is an outstanding example of the early nineteenth-century exhibition watercolour. On a large scale and with its grandiose, Poussinesque composition, classical buildings and monumental figures, it perfectly summarises the aspirations of heroic, classical and literary themes. It was purchased at the Society's fourth exhibition in 1808 by the distinguished patron, connoisseur and proponent of neo-classicism, Thomas Hope. Gallery label, August 2004