Hu You Washing His Hair in a Waterfall; Zhao Fu Moving His Ox Downstream c. 1683

Curator: I'm immediately struck by the sheer tranquility here. It’s the kind of scene that makes you want to just… sigh. Editor: Absolutely. This is Kano Yasunobu’s “Hu You Washing His Hair in a Waterfall; Zhao Fu Moving His Ox Downstream,” a small ink on paper piece residing here at Harvard Art Museums. Curator: Is it just me, or does it feel like an invitation to escape? The man bathing seems so at peace, the ox so docile. It almost feels utopian, doesn't it? Editor: It does evoke a certain escapism. Considering the historical context, these figures could be interpreted as resisting societal norms, perhaps even critiquing power structures through their rejection of ambition. Curator: Perhaps, but I see it as more about the simple joy of existing, you know? Being one with nature, finding solace in the mundane. Like the simple act of washing one's hair! Editor: And I think that’s the beauty of art, isn't it? We bring our own experiences and see something new in it each time. Curator: Exactly! This painting has whispered something different to both of us, and it's a conversation I want to keep having. Editor: Agreed. This work is a great reminder to consider multiple perspectives in art—and in life.