Gezicht op de Waag, de Oude Rijn en de Vrouwekerk te Leiden 1763 - 1770

Abraham Delfos created this print of Leiden using etching and engraving, techniques deeply rooted in the history of reproductive media. The image is entirely dependent on the skillful manipulation of metal – the cutting of lines to hold ink, the careful application of pressure to transfer that ink onto paper. Look closely, and you’ll notice the astonishing level of detail Delfos achieved: the texture of brickwork, the rigging of ships, and the fashionable dress of the figures. It is a testament to his mastery of the craft, but also to the cultural importance of printmaking at the time. These images were made in multiples, allowing the rising middle class to consume images of their cities and towns. The image is not just a record of a place; it is also an artifact of burgeoning consumer culture. Consider how the labor of the artist and printer are tied to wider social issues of commerce, politics, and the circulation of information in 18th-century Netherlands. The image serves as a reminder that even seemingly straightforward depictions are embedded in a complex web of making, materials, and social context.