Plate II, Four Ostriches at the Corners of the Plate, from Ballet of Ostriches, Ballet by Jean Baptiste Balbi for "La Finta Pazza" c. 17th century

Curator: This is Valerio Spada's "Plate II, Four Ostriches at the Corners of the Plate, from Ballet of Ostriches, Ballet by Jean Baptiste Balbi for 'La Finta Pazza'". Editor: It’s charming! The delicate etching gives the ostriches a whimsical, almost weightless quality. Curator: Spada, active in the 17th century, likely created this as a preparatory drawing. Note the careful depiction of their plumage and movement, suggesting a keen interest in accurately rendering the natural world for the stage. Editor: I see this as more than just a study. The ostriches, symbols of exoticism, situated within a ballet, speak to themes of courtly spectacle and the gaze upon the 'other' that was so prevalent in the era. How were these animals received? Curator: Interesting point. The etching technique itself is also quite revealing. The process of creating such a precise image would have been laborious, demanding both skill and access to specific materials. Editor: Indeed. Thinking about performance, power, and representation allows us a richer understanding of this work. Curator: It gives us plenty to consider about the creative process behind performance. Editor: Absolutely, and a fascinating glimpse into the social landscape of 17th-century entertainment.