photography, gelatin-silver-print
photography
historical photography
gelatin-silver-print
history-painting
modernism
Dimensions: height 160 mm, width 220 mm, height 240 mm, width 320 mm
Copyright: Rijks Museum: Open Domain
Editor: So, this gelatin-silver print from 1924, titled "Portret van Dr. Hugo Eckener, de commandant van de LZ 126" seems like such a formal portrait, very buttoned-up! It reminds me a bit of old history book photos, except… sharper. What's your read on this, considering the era it's from? Curator: Sharp is the perfect word! And yes, there's a formality, almost a constructed gravitas. But for me, there's a hidden wink here too. Consider Eckener, the commander of the LZ 126, the Zeppelin. He wasn't just flying blimps; he was commanding dreams! This photo feels like a careful construction of that leadership image – reliable, stern, maybe a little paternal. It’s less about capturing him 'as he is' and more about building the persona of a leader, like carefully staging a play. Don't you get a sense of that careful staging? Editor: That makes so much sense, and it adds a completely new layer of intrigue to this photograph! But you see that seriousness in his eyes too. Does that support your playful construction hypothesis? Curator: Absolutely. Think of a director crafting a character. The stern eyes are part of the overall package, selling us on the authenticity of this "Captain Airship" character. It's all calculated, wouldn't you say? Plus, photography in the 1920s, while gaining traction as art, still carried a documentary weight. It HAD to *look* real to convince. Editor: It’s fascinating how many levels you can unpack in a simple portrait. I originally just saw a serious, slightly old-fashioned photo, but you've shown me how it's really selling something more! Thank you. Curator: My pleasure! That’s the beauty of art, isn't it? Layers upon layers, each one deepening the story.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.