Portret van apostolisch vicaris Sasbout Vosmaer 1681 - 1726

Curator: Here we have a portrait, an engraving dating from around 1681 to 1726. The subject is Sasbout Vosmaer, an apostolic vicar, and the artist credited is François van Bleyswijck. Editor: Striking. Even though it’s an engraving, there's something intensely alive about his gaze. I’m immediately drawn to the somewhat theatrical setting – it's almost like a stage. The oval frame itself seems to spotlight the man, the details around him feeling like deliberate stage props. Curator: Yes, the Baroque period certainly favoured a sense of drama. Consider the symbolism too, not just the sitter: crucifix, skull, hourglass… These would have been recognised immediately as symbols of mortality, faith, and the passage of time, underlining Vosmaer's spiritual role. Editor: Exactly! The props, so to speak, reinforce his essence. But it’s his face that intrigues. There's a weariness there, perhaps? He looks both spiritual leader and a very human presence. The artist has allowed the person, and not just the office, to shine through. Curator: Printmaking like this served a crucial role then. Before photography, it allowed for the widespread dissemination of likenesses. Prints of prominent figures circulated, solidifying their place in public consciousness, often shaped by political agendas. Editor: Ah, yes – carefully manufactured ‘images’ as a sort of propaganda. It’s interesting to remember this image might have played a part in shaping people’s perception of him. Makes you wonder about all the unseen or unheard narratives lurking behind the surface. In that time period engravings are very telling of society's intentions! Curator: Indeed, a portrait is rarely just a simple depiction; it's a negotiation between sitter, artist, and the cultural context. And, it's definitely an artwork that encourages a contemplation on time, image, and power. Editor: Absolutely, from the overt symbolism to his intimate gaze. Each element really makes it feel alive still today, offering so much more to the contemporary eye!