Dimensions: support: 1232 x 1010 mm frame: 1595 x 1220 x 120 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Sir Peter Lely’s portrait of Frans Mercurius van Helmont, housed here at the Tate. The muted palette creates a somber mood, but what stands out to you? Curator: The scroll in his hand is intriguing, isn't it? Consider scrolls as symbols of knowledge and communication. What cultural narratives might this object evoke, especially within the context of 17th-century intellectual circles? Editor: So the scroll could represent van Helmont’s own knowledge? Curator: Precisely. How might it reflect his standing within society, and what statement is Lely making about the subject through its inclusion? Editor: I hadn't considered how much objects contribute to our understanding of the sitter. Curator: Indeed, these visual symbols offer pathways to understanding the past.
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http://www.tate.org.uk/art/artworks/lely-frans-mercurius-van-helmont-n03583
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Van Helmont, shown here aged about fifty-three, was a celebrated alchemist and physician. This portrait was probably commissioned by Lady Conway of Ragley shortly after Van Helmont arrived in England in 1670. An inscription on the pedestal in the lower right corner, probably added in the eighteenth century, describes one aspect of the skills which brought Van Helmont fame: ‘Anne Finch Viscountess Conway dying at / Rageley 1678 while her Lord was in Ireland / She was preserved in her Coffin by Van Helmont / with a Glass over her face, till Lord Conway’s return ...’ Gallery label, August 2004