Dimensions: image: 940 x 1353 mm
Copyright: © William Crutchfield | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is William Crutchfield's "Trestle Trains" from the Tate Collections. I'm drawn to the precariousness of the train teetering on the delicate trestle. What do you see in this piece? Curator: The lithograph presents a compelling study in form and balance. The juxtaposition of the weighty, geometric train cars with the spindly, almost skeletal trestle creates a visual tension. Observe how the artist uses line to define space and form, constructing a world that feels both tangible and dreamlike. What does the palette choice suggest to you? Editor: It's a muted palette, almost pastel, that feels a bit nostalgic. Is the tension a deliberate commentary? Curator: Indeed. The formal elements work together to create that effect. This tension, born from the interplay of form and line, may suggest broader commentary on the industrial age and its inherent instability. Editor: Thank you, I see the balance between playful and precarious much clearer now. Curator: My pleasure. Thinking critically about formal properties allows for diverse interpretations.
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http://www.tate.org.uk/art/artworks/crutchfield-trestle-trains-p12063
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This work is from a series called Five Trains, which forms part of the body of work Crutchfield produced at the Tyler print workshop in New York from January 1977 to January 1978. The works are lithographs produced from stone and aluminum plates, with a separate plate for each colour. Crutchfield made his drawings with litho-crayon, pen and air brush. The works are printed on Arches 88 mould-made paper in editions of forty-eight with between fourteen and seventeen artist’s proofs.