[no title] 1995

Editor: This striking print by Georg Baselitz at the Tate, created with stark black lines, reminds me of looking through a distorted window. What's your interpretation? Curator: Baselitz often challenges traditional representation. Considering his German background, one might see this as a visual representation of fragmentation and the disruption of established norms prevalent after World War II. Does that resonate with you? Editor: Yes, the disruption is clear. The figure seems almost trapped or obscured. I hadn't thought of it in that historical context. Curator: The "heroic" figure, frequently a subject, is inverted and seemingly caged. This raises questions about power, identity, and the artist's role in post-war society. Food for thought, isn’t it? Editor: It certainly is. I'll look at Baselitz's work differently now, considering the socio-political landscape.