Sutewakamaru 1863

Editor: This woodblock print, titled "Sutewakamaru," was created in 1863 by Utagawa Kunisada. It has such a dynamic feel! The figure almost seems to be floating on those scrolls. I'm really struck by how the patterned robes contrast with his intense expression. What historical context informs this artwork? Curator: That's a great observation. This print belongs to the Ukiyo-e tradition, "pictures of the floating world," popular during the Edo period. The patronage of the merchant class significantly shaped artistic themes during this period. Could this influence be the key to understanding Kunisada's artistic approach? Editor: Interesting... You mentioned the merchant class. In what specific ways did their patronage impact artists like Kunisada? Curator: Well, with the rise of the merchant class came new tastes and interests reflected in the art. Subjects like Kabuki actors, courtesans, and scenes from popular narratives became highly sought after, fostering the growth and public role of woodblock printing. Considering this, how might that relationship be visible in the print before us? Editor: Hmm, Sutewakamaru himself seems to be a figure from a narrative, given his theatrical costume and expression. Curator: Exactly! Prints like these allowed for stories and theatrical performances to reach a broader audience beyond the elite, thereby democratizing access to cultural narratives. Did mass distribution influence Kunisada’s selection of such dynamic subject matter for public consumption? Editor: I never thought about it that way, it seems like it made an impact on the cultural perception of Kabuki. Thinking about the composition and the fact that it's a print really brings it home for me. I'm so glad to have learned how the society around the art impacted Kunisada! Curator: Yes, considering the socio-political role that it had really shows how art affects and reflects society.