Beaker by Thomas Danforth Boardman

metal, photography, sculpture

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metal

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sculpture

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photography

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stoneware

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sculpture

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united-states

Dimensions H. 5 1/8 in. (13 cm)

Curator: Here we have a piece by Thomas Danforth Boardman, titled "Beaker." It dates back to somewhere between 1822 and 1824, crafted here in the United States. Editor: My first impression is the weight of history—I see use, time... almost a tarnished honesty in its plainness. The soft dents and imperfections tell their own stories. Curator: Indeed. Think about the social context of the early 19th century United States. The growing industrial revolution, coupled with the existing agricultural framework, meant this piece was likely accessible to a burgeoning middle class aspiring to notions of domesticity and modest display. This beaker, while seemingly simple, symbolizes their climb and the objects they sought to mark that. Editor: Symbolically, cups and beakers always speak to community and sustenance, don’t they? This particular form, a gently flaring cylinder, is almost universally recognized as a vessel for holding liquids; consider its links to religious rituals and shared nourishment throughout different cultures. Curator: Absolutely. It's important to view these objects not just as pretty things, but as participants in the construction of cultural identity and social hierarchies. Who could afford what, whose table looked like this... It all contributed to defining early American identity. Boardman and others created objects that reflected a society both rooted in older European traditions and forging new ones in the burgeoning market. Editor: I see that division even in the engraved lines which break up the height, it has classical form striving within an object geared toward function, almost trapped between utility and aesthetic expression, wouldn’t you say? The marks across its surface indicate frequent use. This beaker probably served countless servings over many years, becoming a silent witness to the intimate moments and routines of family life. Curator: That history matters because it reflects gender roles too, of who might've used it for preparing beverages or delivering medicine, a tangible artifact in the matrix of societal norms. Editor: Seeing the photograph’s gray tones, I am still struck by how a simple utilitarian object like this, when carefully observed, offers us such rich layers of cultural and symbolic understanding. Curator: Precisely. The 'Beaker' offers a glimpse into an era of burgeoning social change—far more than just something from which to sip.

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