Standing Bishop by Hans von Reutlingen

Standing Bishop 1505 - 1515

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silver, sculpture

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portrait

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silver

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figuration

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11_renaissance

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sculpture

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italian-renaissance

Dimensions Overall (without pin): 4 1/16 x 1 7/16 x 1 3/16 in. (10.3 x 3.6 x 3 cm) with pin: 5 1/4in. (13.3cm)

Editor: So, here we have Hans von Reutlingen's "Standing Bishop," crafted sometime between 1505 and 1515. It's a stunning sculpture rendered in silver, and currently residing at the Metropolitan Museum of Art. The way the light catches the folds of the bishop's robe is incredible! What strikes you first when you look at this piece? Curator: The masterful use of contrasting textures commands attention. Notice the stark distinction between the smooth, almost planar surfaces of the vestments and the intricate chasing of the mitre. The play of light across these surfaces defines the form. What principles of design are revealed here? Editor: I suppose that emphasis is important. How the shiny gold robe draws our attention? It also uses proportion to make the bishop more imposing and important. Do you think those choices influence meaning, or were the aesthetic choices based on pure formality? Curator: Consider the manipulation of space. The figure's pose, though static, creates a subtle tension through asymmetry. The weight distribution and the implied movement of the extended hand subtly animate the form. The line and implied texture are more than decorative but do they also point to specific semiotic content from that period? Editor: Maybe the weight distribution represents responsibility, since he is holding the book and also seemingly giving a blessing? And the intricate chasing could be about sophistication and elevated knowledge. That makes me see that it could be representative. Curator: Indeed, the artistic quality inherent in its structure invites such associations. I like your observation on implied status within Renaissance modes. The effectiveness lies in its meticulous articulation and in balancing surface with structure. Editor: I’m starting to look at the sculpture differently, to view it more as a study of visual mechanics rather than simply as an illustrative artwork. I noticed the shapes so much more this time around. Thank you. Curator: And I in turn appreciated your interpretation about status, it helped my reading as well.

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