Portret van een schaars geklede onbekende danseres op een programma voor een concert, reclame voor Comptoir Photographique de l'Ouest by Charles Reutlinger

Portret van een schaars geklede onbekende danseres op een programma voor een concert, reclame voor Comptoir Photographique de l'Ouest 1880 - 1910

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photography

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portrait

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pictorialism

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photography

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nude

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erotic-art

Dimensions height 137 mm, width 88 mm

Editor: So, this is "Portret van een schaars geklede onbekende danseres op een programma voor een concert, reclame voor Comptoir Photographique de l'Ouest", snapped sometime between 1880 and 1910 by Charles Reutlinger. It's a photograph, housed at the Rijksmuseum, and it feels...dreamy, almost hazy. What do you see in this piece, beyond the obvious? Curator: Beyond the immediate…I see a ghost of performance, doesn’t it strike you? The dancer isn't just standing; she's poised. It feels like a breath held right before she bursts into motion. There's an element of early pictorialism, softening reality to elevate the artistic effect, blurring the line between photography and painting. But also…it’s commerce. Can't forget that. Do you see the tension? Editor: Commerce? Because it was used for advertising? I guess I was too focused on the art of it to notice the advertising element, it blends in! Curator: Exactly! The advert acts like a canvas that blends eroticism, entertainment, and consumerism so subtly. Imagine the streets of Paris; this would be a wink amidst the noise. Makes you wonder about her story too, this 'unknown dancer', and her dreams. She looks directly at us! Editor: That's so true! It shifts the image entirely! So much is implied! Curator: Photography at this point, you know, was finding its voice, experimenting with truth and fantasy. Reutlinger gives us a beautiful lie – a constructed moment of freedom. Editor: I didn’t really realize the intent before, but I’m noticing it so much now, seeing the pose, that hint of glamour, the slightly staged quality... It is, like, constructed freedom, or at least freedom carefully sold. Curator: Precisely. And isn't that the eternal dance of art and life? Beautiful! I'm off to research Reutlinger's works more. What about you? Editor: I need to rethink my initial reaction to pretty much everything. I need to reflect a lot and appreciate advertising through a completely different light. Thanks for your help.

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