Tritonia Crocata (Flame Freesia) c. 1780

Hendrik Schwegman rendered this watercolor and pencil drawing of a Tritonia Crocata, or Flame Freesia, at an unknown date. Schwegman’s era was one of burgeoning scientific classification, when global trade and colonial expansion brought a wealth of new specimens to Europe for study. Yet, there is an undeniable tension between the supposed neutrality of scientific observation and the politics of its time. Botanical art was often entwined with colonial projects, documenting resources that could be exploited. In this light, we might see Schwegman’s delicate rendering as more than just an objective record. The very act of naming and classifying can be seen as an assertion of control. Look at how the vibrant orange hues command our attention. Consider, too, how the plant is isolated on the page, removed from its natural habitat, rendered still and silent. It invites reflection on the power dynamics inherent in how we perceive and interact with the natural world.