Groepsportret van acht onbekende jongens, onder wie Scato Fontein by Frits Freerks Fontein Fz.

Groepsportret van acht onbekende jongens, onder wie Scato Fontein c. 1895 - 1900

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photography, gelatin-silver-print

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portrait

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photography

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portrait reference

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group-portraits

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gelatin-silver-print

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genre-painting

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realism

Dimensions height 106 mm, width 78 mm

Editor: Here we have a gelatin-silver print, dating from around 1895 to 1900, titled *Group Portrait of Eight Unknown Boys, including Scato Fontein*. The uniformity of their sailor suits is what really strikes me; there is something both innocent and strangely regimented about it. What does this image suggest to you? Curator: It is indeed a fascinating study of boyhood and societal expectations, wouldn’t you say? Considering the socio-political landscape of the late 19th century, these uniforms were not just fashion statements, but subtle markers of status and aspirations, mirroring a growing emphasis on nationalism and social order. Editor: So the photo isn't simply a snapshot, but reflects larger social trends? Curator: Precisely. Think about it: Photography itself was democratizing portraiture, but access was still largely governed by class. These carefully arranged photos, especially group portraits, reinforced a sense of collective identity, reflecting the subjects' awareness of how they were being perceived. What I'm really interested in is how images like this impacted concepts of idealised masculinity. Editor: It's almost like propaganda on a small scale? A way to visualize a community's values? Curator: Yes, very much so! They projected aspirations of discipline, health, and patriotism - qualities valued by the emerging middle class. Do you notice the composition? How might that speak to these goals? Editor: How the boys are positioned really adds to the photo, suggesting their relationship to each other, to society and family! Curator: Exactly. Images like this reveal how carefully curated and controlled such displays often were, creating enduring visual records of the values a society wished to uphold. Editor: This gives me a completely different lens to look through when I consider similar types of historical photographs now. Thanks for pointing out how an image such as this one goes well beyond the subjects within its frame.

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