Portret van Cornelis Springer 1866 - 1928

Editor: Here we have Willem Steelink's "Portret van Cornelis Springer," made sometime between 1866 and 1928. It's an engraving, so a print, and it has such a wonderfully serious, contemplative feel to it. What stands out to you the most when you look at this portrait? Curator: Well, the dance of light and shadow immediately draws me in. It's as though Steelink is trying to capture not just Springer's likeness, but the very essence of his being. Notice how the lines around the eyes deepen the sense of wisdom, or perhaps weariness? I wonder what Springer, the subject, was truly like. Was he as serious as Steelink makes him out to be, or do you think Steelink has added his own interpretation? Editor: That's fascinating. I hadn’t considered how much the artist's perception might influence the portrait. So it is, perhaps, more than just a record. But a conversation between artist and sitter. Do you think Steelink succeeded in capturing something deeper? Curator: Perhaps he did! It reminds me of trying to truly know someone; the way we observe them, project upon them, until something resonates and we feel a sense of understanding. Like recognizing a familiar melody in a completely new arrangement. Editor: That's a really beautiful way to put it. I'll definitely be thinking about that the next time I look at a portrait. Curator: It's like each portrait holds a multitude of possible stories and meanings, depending on who is looking. I like that, very much.