Carpet with landscapes by Savonnerie Manufactory

Carpet with landscapes 1668 - 1686

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fibre-art, weaving, textile

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fibre-art

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baroque

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weaving

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landscape

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textile

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historic architecture

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traditional architecture

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building art

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decorative-art

Dimensions: Overall (confirmed): H. 353 x W. 128 in. (896.6 x 325.1 cm)

Copyright: Public Domain

Editor: This "Carpet with landscapes," created between 1668 and 1686 by the Savonnerie Manufactory, strikes me as remarkably symmetrical and richly decorative. The weaving technique is quite impressive. What do you see when you look at it? Curator: Formally speaking, the carpet operates through a compelling balance. Notice the interplay between the central medallion and the flanking landscape ovals. The symmetry isn't merely replicated, but subtly varied, creating visual interest and rhythm. The curvilinear forms—those lush floral and vegetal motifs—counteract the rigidity of the architectural elements presented within. Do you see how the composition directs the eye? Editor: Yes, now that you mention it, the eye definitely moves between the center and the sides. Is there a particular reason for using those oval shapes as if to create an imitation of framed art? Curator: The oval cartouches serve to contain the "landscapes" within a distinct visual field, heightening their presence as representational spaces, set apart but integrated into the overall scheme. Notice also how colour tonalities, textures and varied depths of field across the carpet further enhances the viewers experience when relating all of these elements with one another? Editor: That makes sense. So it’s not just about the literal depiction of landscapes, but also about the arrangement and presentation of those images within the textile. Curator: Precisely. The very materiality of the fibre art challenges the conventional canvas and frame paradigm. Consider how the weave itself contributes to the image and dictates how the different colour schemes and textures appear and are perceived. The Carpet challenges our expectations. Editor: It's fascinating how looking at the formal qualities can reveal so much about the artist’s intent and the viewer’s experience. I had initially overlooked some elements and considered other elements less. Curator: Indeed. Formal analysis allows us to appreciate the complex visual vocabulary at play, inviting deeper insight than any single reading.

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