Drum by  Grenville Davey

Drum 1989 - 1990

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Dimensions: displayed: 430 x 1630 x 3900 mm

Copyright: © Grenville Davey | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Grenville Davey’s "Drum" from the Tate Collection. The scale is pretty imposing—they really dominate the gallery space. What kind of visual symbolism do you see in these forms? Curator: Well, the drum form itself, repeated, suggests a cyclical nature, a rhythmic pulse. Does it invoke a sense of ritual, perhaps, or even something more primal in your own experience? Editor: I suppose I do feel a slight connection to something ancient, with the circular shape and muted color. It almost feels monumental. Curator: Precisely. Consider how basic shapes, like circles, resonate across cultures, representing wholeness, continuity, and even divinity. The artist distills the drum, stripping away the noise to reveal a more essential, symbolic form. Editor: That's a great way to look at it! I didn't immediately think of it as symbolic. Curator: Art often works on multiple levels simultaneously. Sometimes, what seems simple can hold the deepest cultural weight.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/davey-drum-t07182

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tate 2 days ago

'Drum' is related to another work by Davey, 'Trommel' ('drum' in German), a blue sculpture with a green top which is shaped like a oversized tin drum. Ostensibly abstract, both sculptures have the familiar shape and some of the markings that can be associated with both oil drums and musical instruments. Davey has described making them; 'both sculptures are actually paper thin and, like several similar works, they were squashed using hand pressure. It looks really easy but it uses the properties of the material, which is steel. The extraordinary thing is that it is like working with paper. The steel is resistant, but yields then holds it shape. They look hand-made and physically imperfect'. Gallery label, September 2004