photo of handprinted image
aged paper
toned paper
homemade paper
muted colour palette
ink paper printed
paper texture
personal sketchbook
coloured pencil
watercolor
Dimensions height 136 mm, width 95 mm
Curator: Here we see a beautiful illustration of two plant specimens displayed across an open book. One of these, the marigold or ‘Goudsbloem’ as it is known, was created before 1894. Editor: Immediately, I'm struck by the delicacy. The paper looks aged, like something handled with care for many years. There’s a homemade feel, a deliberate choice in materials that speaks to craft. Curator: Precisely. The means of production are significant here. It appears to be an ink paper print, potentially incorporating watercolour washes and coloured pencil for detail. We must consider the labour involved in such a hand-produced botanical illustration. What sort of economic or societal conditions shaped such practice? Editor: And how this artwork operates within broader systems of classification and display! It appears as though two individual plates form an entry within a wider publication, maybe a reference compendium, and each individual work is meticulously titled below. Who was the audience? For whom was such a careful illustration made, and for what purpose? Curator: Perhaps botanical study was en vogue, a display of refined knowledge and leisure. Did the practice support professional botany or, perhaps, a form of leisurely artmaking for hobbyists? Consider its role: was this visual study contributing to contemporary knowledge systems, and, therefore, contributing something of wider societal and economic utility? Editor: Good points. And while we examine its contribution to botany and scientific thought, it would also be intriguing to reflect on the artwork’s legacy, and reception within, for example, present-day historical archives and museum collections. In this way, its role and meaning continues to evolve through public presentation. Curator: Absolutely. Considering the muted colours and aged paper, there's a real connection to material and process that’s hard to ignore. I find this illustration not only informative but also touching in its delicate execution and preservation over time. Editor: A work that continues to resonate across different histories, demonstrating not just beauty and artisanal craft, but broader structures of societal engagement.
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