Portrait of a Seated Woman n.d.

Charles Jacque created this print titled ‘Portrait of a Seated Woman,’ now at the Art Institute of Chicago, using etching techniques. At first glance, the texture dominates this piece. Notice the density of etched lines, creating a visual field that oscillates between detail and abstraction. Jacque’s use of hatching and cross-hatching builds tone and shadow, giving form to the woman’s figure and the surrounding space. The composition directs our gaze towards her face, framed by a draped hood. The lines are not merely representational; they construct a semiotic field where each stroke contributes to the overall mood. The subtle tonal gradations and the interplay of light and shadow, suggest a psychological depth. The etching method lends itself to the expression of texture and tone. The network of lines and the granular quality of the print evoke a sense of tactile experience. This invites us to consider the relationship between representation and materiality, reminding us that the image is not just a window onto the world, but an object in itself.