ceramic, earthenware, sculpture
stone
sculpture
asian-art
ceramic
japan
earthenware
sculpture
decorative-art
Dimensions 35 × 4 3/4 × 4 1/4 in. (88.9 × 12.07 × 10.8 cm)
This is a hanging flower vase by Ōtagaki Rengetsu, made in Japan out of stoneware. Ōtagaki Rengetsu was a Buddhist nun, poet, calligrapher, and potter. Born into a samurai family, she experienced significant social upheaval following the Meiji Restoration, which dismantled Japan’s feudal system and with it, the samurai class. During this period, many women turned to religious life, including Rengetsu, who was widowed and entered the Buddhist priesthood. Rengetsu is particularly known for combining calligraphy and poetry with her ceramic work. The poems inscribed on this vase reflect themes of nature and impermanence. Her unique approach challenged traditional gender roles within Japanese art, which often excluded women from certain artistic practices, particularly in the realm of ceramics. Rengetsu’s life experiences and deep understanding of Buddhist principles shaped her art, infusing each piece with a sense of contemplation and profound connection to the world. We can see how her spiritual and personal identity is inseparable from her artistic expression.
Comments
Ōtagaki Rengetsu’s distinctive calligraphy is a subtle and elegant yet integral part of this hanging flower vase. While her professional career floundered for many years, it was only in her late forties and early fifties when this nun-turned-poet literally made her mark on ceramics of everyday objects that she became famous. Her poetry and calligraphic style has been emulated and forged and it is said Rengetsu had even signed forgeries as her own works in order to help other potters’ studios succeed. The poem on the vase reads: My happy times stretch out like a long cucumber; how many have there been' Rengetsu
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