Twee afbeeldingen van Korinthische kapitelen van de San Marco in Venetië before 1884

Here we see two studies of Corinthian capitals from San Marco in Venice, rendered by Carl Heinrich Jacobi with a keen eye for detail. The photographs present a monochrome palette with a focus on texture and form. The composition, split into two distinct sections, isolates these architectural elements, inviting contemplation on their intrinsic structure and design. Jacobi's lens captures the ornate carvings, emphasizing the play of light and shadow. The fluted shafts of the columns rise to meet the acanthus-laden capitals, where classical motifs intertwine. This structured representation reflects a broader engagement with architectural semiotics, decoding how classical forms were intended to communicate power and cultural values. The high contrast illuminates the texture of the stone, suggesting both permanence and the subtle erosions of time. It is not merely a record but an analysis, highlighting how form serves meaning within the grand narrative of Venetian architecture.