Panel by Kuba

Panel c. 20th century

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panel, textile

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african-art

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natural stone pattern

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naturalistic pattern

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panel

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pattern

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textile

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repetitive shape and pattern

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organic pattern

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geometric

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repetition of pattern

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vertical pattern

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regular pattern

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pattern repetition

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layered pattern

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organic texture

Dimensions 24 3/4 x 26in. (62.9 x 66cm)

This panel was made by Kuba people and it now lives at the Minneapolis Institute of Art. This is such an interesting piece, isn't it? It's made of fiber, so it’s not exactly a painting, but the impulse is very painterly. Look at the repeated geometric shapes, like squares trying to escape from each other – it’s almost architectural. I imagine the artist starting with a light base, maybe a beige or a tan, and then meticulously adding these dark, almost black lines to create depth and movement. The texture seems subtle, not too thick, allowing the pattern to really come forward. I wonder, were they thinking about Mondrian, or maybe Agnes Martin? All these artists play with geometry, but here, there's something really organic in how the shapes and lines interact. And the Kuba people definitely add their own cultural spin into the mix. It makes you think about how we’re all in conversation with each other through art, sharing and remixing ideas across time. It’s pretty cool, right?

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Cut pile embroidery is produced by several ethnic groups within the Kuba culture, including Bushoong, Shoowa, Ndengese, Ngongo and Ngombe. The different styles are distinguished by characteristics such as the color of the ground cloth, the use of a flat stem stitch and the way in which the cut-pile is used to build up pattern areas. The designs are geometric and rectilinear, utilizing variations of chevrons, squares, triangles, diamonds, interlaced knots and L-shaped motifs. The motifs are symbolic and refer to Kuba creation myths, historical events or ordinary objects such as hoes, tortoises, or shields. Panels such as these are produced primarily for display during funeral rituals and are subsequently used as burial goods. Offered as gifts to the deceased by their clan and by individuals from the village, cut pile embroideries are important symbols of wealth and prestige that reflect not only on the individual, but also on the entire clan.

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