carving, relief, bronze
portrait
carving
sculpture
relief
bronze
11_renaissance
carved
italian-renaissance
Dimensions diameter 6 cm, weight 61.13 gr
Editor: Here we have a bronze relief carving, a portrait medallion of Francesco Alidosi, a papal legate in Bologna, created around 1511. The carving on both sides seems quite intricate. What strikes me is how it must have served a very specific purpose beyond just being decorative. How do you interpret this work in light of its historical and cultural setting? Curator: Precisely. Portrait medallions during the Renaissance served multifaceted purposes. They functioned as propaganda, carefully constructing and disseminating specific images of power. Think about the intended audience: who was meant to view and handle this object? It commemorates Alidosi but simultaneously communicates the authority of the Papacy itself, wouldn't you agree? Editor: Absolutely, it feels like a very controlled statement. I suppose the specific imagery on the reverse reinforces that authority, but I'm not quite sure what it means. The scene seems… violent, with a man and lion tangled together. Curator: That's key. The imagery wouldn’t be chosen arbitrarily. It most likely serves as an allegory relevant to Alidosi's role as papal legate in Bologna. The "violent scene," as you call it, is a powerful representation of the suppression of opposition or the taming of rebellious forces. Can we see it, perhaps, as symbolic for what was happening in the Bologna area at this point in time? This was during the Bolognese revolt. What do you think that reverse is communicating to its Renaissance audience? Editor: So, the lion possibly represents Bologna, or perhaps a general sense of disorder. And Alidosi, through the allegory, presents himself as the restorer of order. Fascinating how these objects, seemingly small, played such a vital role in shaping public perception. Curator: Exactly. It makes you consider the intended reception of imagery, and the impact even "small" works could have on contemporary viewers and shaping opinions. Editor: I never thought of this bronze relief as part of a calculated image control campaign! Thanks for the perspective.
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