John of Gaunt, costume sketch for Henry Irving’s Planned Production of King Richard II 

Edwin Austin Abbey drafted this costume sketch for Henry Irving’s planned production of King Richard II. The symbols adorning John of Gaunt, a figure of authority, invite deep contemplation. The crown, a universal emblem of sovereignty, speaks volumes. Consider its echoes throughout history, from the laurel wreaths of Roman emperors to the elaborate headgear of medieval monarchs. Crowns serve not only as symbols of earthly power but also as reminders of the divine right to rule, a concept deeply rooted in the collective psyche. The attire, patterned with heraldic emblems, evokes a lineage of authority, reminiscent of ancient totems. The motif repeats itself across time, shifting from sacred symbols of royal power to decorative patterns, losing its meaning in each reiteration. The image triggers a psychological response, reminding us of how symbols are perceived and change meaning across time. In the end, we are left to ponder the enduring legacy of power and how it's expressed through symbols. We can appreciate the shifting, non-linear, cyclical progression of symbols across history, revealing our deep-seated desire for order and authority.