Fragment pijpenkop 1774 - 1808

This fragment of a tobacco pipe head was made by Evert Meurs, using pipe clay which could be easily molded and decorated. The white clay was pressed into molds, creating a smooth surface ideal for intricate designs. Notice the embossed details: a crowned coat of arms, floral motifs, and an inscription. These were likely added using carved stamps. Fired at high temperatures, the clay hardens, but remains porous, which could affect the flavour of the tobacco smoked. The process from molding to firing speaks to the labour involved, yet the relative cheapness of clay also reflects a degree of accessibility to the everyday smoker. While pipes were objects of daily life, their decoration elevated them beyond mere utility. The pipe's shape and ornamentation reflect social status, taste, and perhaps even political leanings. This fragment invites us to consider the broader cultural context, where even the humblest of objects can offer insight into social dynamics and artistic expression.