Plate Number 324. Curling a 50-lb. dumbbell by Eadweard Muybridge

Plate Number 324. Curling a 50-lb. dumbbell 1887

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print, photography, gelatin-silver-print

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portrait

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print

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impressionism

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figuration

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photography

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body-art

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gelatin-silver-print

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monochrome photography

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realism

Dimensions: image: 15.5 × 45.2 cm (6 1/8 × 17 13/16 in.) sheet: 47.9 × 60.4 cm (18 7/8 × 23 3/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Eadweard Muybridge’s "Plate Number 324. Curling a 50-lb. dumbbell" captures a series of movements, freezing action through photography in the late 19th century. The repeated figure, stripped down to essentials, presents an archetype of masculine strength. Consider the dumbbell itself – a symbol of power. Its form echoes the orbs of antiquity, emblems of authority carried by rulers in sculptures and paintings. The act of curling the weight becomes a ritualistic display, reminiscent of ancient athletic contests. The bending of the elbow and the flexing of muscles are primal gestures, seen throughout art history in depictions of laborers and warriors. This image, like the figures of the past, speaks to the enduring human quest for physical prowess, a subconscious desire to assert control over the body and, by extension, one's environment. This pursuit of physical mastery appears in a multitude of forms across time, highlighting the enduring power of physical symbolism and the echoes of ancient ideals in modern pursuits.

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