Kop van kalende man met baard by Jean-Pierre Norblin de la Gourdaine

Kop van kalende man met baard 1787

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Dimensions height 74 mm, width 61 mm

Curator: This is a 1787 etching by Jean-Pierre Norblin de la Gourdaine titled "Head of a balding man with a beard". Editor: It immediately strikes me as an image filled with melancholic contemplation, even burdened seriousness. The tight composition focuses all attention on the subject’s face. Curator: Norblin de la Gourdaine was, as a social historian might note, deeply embedded within artistic circles in Poland and France during a turbulent period. These small, intimate prints reflect the artist’s broader social engagements. Editor: I'm particularly drawn to how the loose, almost frantic, lines describing the beard and hair contrast with the more deliberately rendered facial features. Notice how those downturned eyes suggest inner turmoil, but the careful detail hints at something beyond mere portraiture. He looks like a biblical figure, doesn’t he? Perhaps a weary prophet. Curator: That’s interesting. Iconographically, beards have always signified wisdom and age, traits associated with leadership, which would surely align with your assessment of his prophetic appearance. However, given the tumultuous backdrop of pre-revolutionary France and Poland, one wonders if this ‘wisdom’ translates to world-weariness or despair. Editor: Precisely! The face itself speaks of disillusionment. It's the weight of history etched, quite literally, into his face, I think, revealing a deep concern for society's direction. It carries a sense of impending doom. Curator: The context, therefore, transforms this head study into an allegory. This is not just about a man but represents the intellectual class, grappling with anxieties concerning the existing political order, just before monumental societal shifts. Editor: Yes, seeing beyond the purely aesthetic, delving deeper into possible symbolic meanings opens up such fascinating lines of inquiry into the period’s zeitgeist. This detailed depiction almost allows a viewer to peer into the past. Curator: Considering this 1787 artwork now, within the walls of this institution, offers an evocative reminder of society’s perennial anxieties, particularly for intellectuals. Editor: For me, the impact resides in that profound face and how the artist translated this face into an archetypal carrier of knowledge, skepticism and worry through all times.

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