Staande koe, naar links, met liggend kalfje by Jean Bernard

Staande koe, naar links, met liggend kalfje 1816

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drawing, pencil

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portrait

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drawing

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landscape

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pencil drawing

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pencil

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realism

Dimensions height 155 mm, width 221 mm

Curator: Here at the Rijksmuseum, we have Jean Bernard’s pencil drawing, “Standing Cow, facing left, with reclining calf,” created around 1816. Editor: There's a touching tenderness in this sketch. The shading is quite subtle, but I sense protection and gentleness from the standing cow toward the resting calf. It's intimate. Curator: Yes, these depictions of livestock became increasingly popular, coinciding with changing attitudes towards agriculture and land use in the Netherlands. This wasn't just documentation; it spoke to an idealization of rural life. Editor: It feels so elemental. Notice how the standing cow is draped with some kind of textile covering. To me it immediately conjures the symbolic role of domestic animals offering safety and provisions in an agrarian setting. Curator: It’s quite true. There was an emerging market too; wealthier urban dwellers increasingly viewed agricultural scenes with fondness. Images like these were increasingly visible at public exhibitions, and they helped to normalize evolving Dutch identity through romanticized visual associations of their national soil. Editor: The use of pencil, I think, enhances this. It creates a sort of distance, reminding us that we’re observing this animal and it also emphasizes her vulnerability, in this open, agrarian space. Curator: Indeed. These drawings served as tools in crafting Dutch cultural identity as one where animals had both functional purpose but could simultaneously inspire idyllic reflection. Editor: Seeing the bond between mother and calf really hits you emotionally, too. One feels drawn in as a viewer because the images also represent nurture, innocence, dependence. The drawing, then, is much deeper than just representing an animal, it hints at what defines being "home". Curator: And it makes you wonder about the social conditions that enabled artists like Bernard to explore the animal as more than just property, but subjects for cultural discourse and appreciation. Editor: This image reminds me again of how simple, intimate moments, translated through pencil lines, become emblems of enduring social, even familial bonds.

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