plein-air, daguerreotype, photography
water colours
plein-air
landscape
daguerreotype
photography
coloured pencil
park
Dimensions height 86 mm, width 177 mm
Curator: This daguerreotype is a real window into the past! The artwork is entitled “Meer in Prospect Park, gezien vanaf de Binnen Bridge, Brooklyn" and it dates between 1871 and 1888. Editor: It feels remarkably serene. The stillness of the water and the hazy trees create a wonderfully calm sensation, as if time is holding its breath. Curator: Absolutely. One can sense the labour involved to construct Prospect Park and capture it so perfectly. Those benches crafted by human hands with nature reflected nearby in the park... it speaks volumes of leisure. Editor: There’s also a fascinating contrast at play here, between the crafted elements – the wooden bridge, that perfectly positioned bench, and the sheer industrial process of photography—and the seemingly untouched nature around it. Curator: Yes, there's almost a celebration of the accessibility that public works provides. Imagine someone stopping to capture that very scene; someone perhaps who has rarely seen it before… Editor: Exactly! It captures an instance of collective use, not only is this space for viewing, but also its material consumption through artistic rendering into this particular historical artifact… This isn’t just any photograph. It reveals complex relationships tied up around social status represented materially within industrial society Curator: It truly reflects that desire for shared moments and the ability of art to document even small everyday experiences… And in a way, doesn’t it hint at timelessness through changing eyes too—since how we observe nature differs now just compared decades earlier after having looked? Editor: Maybe! But also there is something bittersweet now reflecting back from here given our climate anxiety. Who benefited the most off that landscape after all? Now questions arise as whether such leisurely practices and materials remain environmentally sustainable in modern times. Curator: True enough. Well, seeing things side-by-side sheds such completely unique illumination onto perspectives otherwise forgotten inside daily life during then until again right here… Now…! Editor: I appreciate seeing art challenge both comfort and ideas after some careful looking through such mediums as “Meer” that we have right today!
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