Oliostrukt, from the book "Lightgraphics, Monoscriptures" 1961

Editor: Here we have Chargesheimer's "Oliostrukt" from the book "Lightgraphics, Monoscriptures." It's a fascinating sheet of, presumably, paper. All those textures! What was Chargesheimer trying to achieve with this work? Curator: The texture and pattern are key, aren't they? It’s not just about representation, but the very process of making. Consider the oil itself – how does its viscosity dictate the forms we see? Chargesheimer is pushing against traditional photographic labor by embracing materiality. Editor: So, the "Oliostrukt" isn't just a picture, but a record of its own making? Curator: Exactly. The material and technique become the subject, subverting our expectations of photography and printmaking as purely representational media. I appreciate the way it makes us reconsider the artist's hand. Editor: This really changes how I see the piece. Thanks! Curator: My pleasure. It's all about the materials!