Portræt af Maren Krohn, f. Rasmussen by Christen Købke

Portræt af Maren Krohn, f. Rasmussen 1837

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil drawing

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romanticism

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pencil

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portrait drawing

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academic-art

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portrait art

Dimensions: 169 mm (height) x 146 mm (width) (bladmaal)

Curator: Here we have Christen Købke's 1837 pencil drawing, "Portræt af Maren Krohn, f. Rasmussen," now held at the SMK, Statens Museum for Kunst. What's your initial impression? Editor: Stark. The tonal range achieved with just pencil is really quite remarkable. The subject's gaze holds a certain severity, but also intelligence, a sharp focus in her eyes. Curator: It’s intriguing to consider the social implications of portraiture at this time. Was this a commission, perhaps from a family member, meant to solidify social standing or simply to preserve a likeness for posterity? Consider the labor involved, the price of materials, and who would have had the means to afford such a luxury. Editor: Absolutely. Focusing on the formal aspects, the texture of the paper itself contributes to the overall feel. Købke masterfully renders the delicate lace of her bonnet with just a few strokes. The use of line creates the effect of light and shadow, sculpting her features and clothing. Curator: The drawing offers a glimpse into the material culture of 19th-century Denmark. Her attire is modest yet dignified, and the rendering of fabric implies the industry and craft central to producing that textile and similar items. Editor: I’m struck by the controlled precision of the linework, yet also an element of softness. Købke's artistic touch lends a subtle emotional depth that goes beyond a mere physical likeness. Observe how the face seems both resolute and contemplative. Curator: These portrait drawings also circulated within Købke’s artistic circles as demonstration pieces, evidence of an artist's technical skill. It's a transaction, labor exchanged for either money or increased recognition. Editor: It's been rewarding to study this work by Købke, considering the layering of elements. We can easily look past the technicality but without it, it is difficult to notice its intrinsic value. Curator: By delving into the materiality of portraiture we recognize the historical factors involved, transforming the way we receive Købke's work.

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