Beloningspenning van de Leidse burgemeesters voor promoties "met de kap", afdruk keerzijde c. 1695 - 1715

Curator: Immediately, I’m struck by how delicate this relief appears. The monochrome gives it a sense of fragility, like a memory fading. Editor: You've pinpointed something key there. This bronze object, dating from around 1695 to 1715, is in fact a cast medal. It’s known as "Beloningspenning van de Leidse burgemeesters voor promoties 'met de kap'," or a reward medal from the mayors of Leiden for promotions “with the cap.” What we’re seeing here is the reverse side. Curator: A reward! Suddenly the lion rampant makes complete sense. It’s heraldic, of course, but also speaks of strength and achievement. Tell me, what does “with the cap” signify? Is it literal? Editor: Ah, good question! It refers to academic promotions. These medals were given to those who successfully defended their dissertations, marking them as accomplished scholars in Leiden's prestigious university. The ‘cap’ likely references an academic cap. Curator: It’s powerful how a simple object embodies so much. It’s not just a reward; it's a symbol of civic pride, of learning, and of the power of institutions. Do you think these medals bolstered that sense of accomplishment, turning it into a publicly-acknowledged success? Editor: Absolutely. The public presentation was key. Giving these medals by the mayors underscores the city's investment in intellectual pursuits and also publicizes it as an achievement within the social landscape of Leiden at the time. Curator: It really makes you think about how the act of public validation can cement values within a society, doesn't it? We still participate in that system today. Though the iconography might change, the impulse to mark achievements visibly remains remarkably constant. Editor: Precisely. And as objects circulated within a community, this "Beloningspenning," not only acknowledges past achievements but also promotes intellectual and social ambitions amongst rising members of Leiden. This piece offers a fascinating window into the civic and academic life of the Dutch Republic. Curator: I'm particularly impressed with how Drappentier rendered it with geometric Baroque style. Seeing both faces makes you wish you could feel the metal weight of it in your palm, almost reliving the joy of such accomplishments and being recognized by the city leaders!