metal, gold, sculpture, engraving
portrait
baroque
metal
gold
landscape
sculpture
men
decorative-art
engraving
miniature
rococo
Dimensions Overall: 1 9/16 × 3 5/16 × 2 11/16 in. (4 × 8.4 × 6.8 cm)
Curator: Ah, isn't it marvelous? This "Snuffbox" dates back to 1736-1737 and is currently housed here at the Metropolitan Museum of Art. It’s crafted from gold, and was created by Jean Ducrollay. Editor: Whoa! It’s like…pure indulgence distilled into a tiny, gleaming box. My first thought is pure sunshine, bottled opulence. Curator: Absolutely. Think about the socio-economic context. The decorative arts, like this box, really show us how objects reinforced hierarchies in the 18th century. The artistry is concentrated labour in precious material form! Editor: You're so right; someone dedicated themselves to creating that level of ornate detail. I’m especially drawn to the scene engraved on the lid; the landscape sort of invites you in, even on such a miniature scale. What stories could it tell, I wonder? Maybe some romantic encounter? Curator: Possibly, although the landscape, while beautiful, may serve less as narrative and more as backdrop for celebrating elite leisure. It underscores their connection to nature, even ownership of it, through rendered artistry. Gold, itself, signals value, and thus, class. Editor: Fair point! Although I choose to believe it held more secrets than tobacco—love letters, perhaps! There is also an almost tactile nature of its detail and shape, which makes me long to know how this gold felt against skin... What level of skill, time and process that must entail! Curator: The meticulousness speaks volumes. Consider Ducrollay's skill in working with gold, and how it was then received, trading across noble hands—these processes of making and owning solidify power! Editor: A gilded cage, in miniature, perhaps. A bittersweet piece that makes you wonder how things we make today are signs and signifiers of class. Curator: Indeed, a powerful object! Thanks for allowing me to walk through some aspects of Jean Ducrollay's material choices. Editor: Thank you! And to think of the possibilities and secrets held inside. Until next time.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.