Postilla super Epistolas et Evangelia; bound with Passio domini Nostri Jesu Christo 1521

This is a bookbinding probably made in France or the Netherlands in the late 15th century, covering texts by Guillermus Parisiensis. The intricate design, made through tooling and pigment, speaks to the cultural and social values placed on religious texts during that era. Floral designs, vases, and reptilian figures are carefully arranged, reflecting both the artistic conventions and the religious symbolism prevalent at the time. The use of expensive materials and meticulous craftsmanship would have been indicative of the patron’s wealth and status, and the role of the Church in commissioning such works. As books were luxury items, the binding elevates the status of the texts within, reflecting the power of religious institutions. Understanding the societal and religious contexts of the late 15th century can shed light on the creation and reception of this bookbinding. To understand it better we can explore archival records, art historical literature, and religious studies. The social life of art objects like this is often more fascinating than their aesthetic qualities alone.