Jesus Christ and the Virgin Appearing to Saint Francis c. 17th century

Curator: This engraving depicts "Jesus Christ and the Virgin Appearing to Saint Francis" by Michel II Corneille, currently residing at the Harvard Art Museums. Its dimensions are roughly 37 by 27 centimeters. Editor: It’s striking—almost overwhelming. The ethereal figures floating on clouds above a kneeling Saint Francis create a strong sense of the divine breaking into the earthly realm. Curator: Corneille likely intended to visualize the spiritual ecstasy associated with religious devotion, particularly within the context of the Catholic Reformation's emphasis on personal piety. Editor: But what does it mean to depict divinity as primarily white and male? How might this imagery reinforce existing power structures within the church and broader society? Curator: That's a pertinent question. Considering the social landscape of the period, these depictions were intended to inspire faith and uphold established hierarchies. Editor: Well, exploring the work in its historical context helps us understand its role in shaping cultural beliefs, even as we interrogate its problematic elements. Curator: Indeed, it offers a valuable lesson in interpreting the public role of art through a critical lens.