Standing Nude, Both Arms Extended c. 20th century

Curator: This is "Standing Nude, Both Arms Extended," a watercolor drawing held in the Harvard Art Museums, attributed to an imitator of Auguste Rodin. Editor: The first thing that strikes me is its ethereal quality—the washes of color and delicate lines suggest a dreamlike vision. Curator: Indeed. The composition relies heavily on the interplay between line and color, creating a sense of depth despite the limited palette. Notice how the artist employs contour lines to define the figure, yet allows the washes of color to soften the form. Editor: The flowing drapery adds to that, suggesting movement and further obscuring—or perhaps revealing—a sense of vulnerability in the figure. It almost evokes a classical Venus, emerging from water, reborn. Curator: The suggestive nature is likely deliberate, drawing on Rodin’s own exploration of fragmented forms and the power of suggestion rather than explicit representation. Editor: It's interesting to consider that, while studying what makes it so compelling visually also unlocks layers of meaning, historical context, and emotional power. Curator: Precisely—a confluence of form and feeling. Editor: Absolutely. It leaves you pondering the nuances of imitation and the resonance of archetypes.