Bovenstuk van een spiegel van esdoornhout, gedeeltelijk goud geschilderd. Op achterzijde plaatje en brandstempel van de Fa. Pander & Zonen; genummerd 969. c. 1900

This is the upper part of a mirror made of maple wood, partially painted with gold, by the firm H. Pander & Zonen. The mirror's design evokes the aesthetics of its time, likely aligning with art nouveau or similar movements that embraced natural motifs and stylized forms. The choice of maple wood, along with the gold accents, suggests a desire for luxury and refinement. The depiction of dragonflies above the waves might symbolize transformation, freedom, or the beauty of the natural world. Mirrors, traditionally associated with vanity and self-reflection, also offer a space for questioning identity. As viewers, we might reflect on how societal expectations and internal desires shape our perceptions of self. The mirror thus invites us to reflect on the interplay between nature, identity, and artistic expression.