Portret van een onbekend lid van het bestuur van de Koninklijke Militaire Academie in Breda by Franz Reissig

Portret van een onbekend lid van het bestuur van de Koninklijke Militaire Academie in Breda before 1889

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daguerreotype, photography, gelatin-silver-print, albumen-print

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portrait

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still-life-photography

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daguerreotype

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photography

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gelatin-silver-print

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albumen-print

Dimensions: height 137 mm, width 99 mm

Copyright: Rijks Museum: Open Domain

Editor: We're looking at "Portret van een onbekend lid van het bestuur van de Koninklijke Militaire Academie in Breda," taken before 1889. It's housed in the Rijksmuseum. This albumen print, tipped into a yearbook, captures a dignified officer, yet the faded sepia tone lends it a somewhat melancholic air. What do you make of this photograph, considering its historical context? Curator: This portrait offers a fascinating glimpse into the intersection of institutional power and photographic representation. Note how the photograph, initially a relatively new medium, is being used here to document and legitimize the leadership of the Koninklijke Militaire Academie. What impact does placing the image inside a yearly book, the Cadetten Almanak, have, compared to, say, placing it on a wall? Editor: That's interesting! I guess it becomes part of the institution’s documented history, accessible and circulated within the academy. More like evidence. Do you see a visual intention in the portrait or just documentation? Curator: Both elements are definitely at play here. The very act of including photographs like this contributed to the Academy’s construction of its public image, circulating ideals of duty, leadership, and national identity, but one could see it as an administrative archive with restricted access. But there's also the individual within the photograph – an 'unknown member.' How does anonymity play into the power dynamics at play? Is it meant to signal a collective rather than an individual identity? Editor: It is a good point! I hadn’t thought about anonymity in a photograph! I’ve learned that photographs don’t necessarily reflect or highlight the individuality and personal features of a character. It may reflect only the intention of power... Curator: Precisely. This work reminds us that photography has always been entangled with social, cultural, and institutional forces. And that in itself makes it even more fascinating. Editor: Absolutely! Seeing it through this lens makes me think about the power of archives and their contribution to collective identity in new ways. Thanks for illuminating the subject so brilliantly!

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