Mars, 29 december 1976 Possibly 1976

Cary Markerink’s photograph, "Mars, 29 December 1976," captures a moment frozen in time with light and shadow. The grayscale palette lends a documentary feel. It’s like looking at a memory. Focusing on the marchers at the centre of the frame, you notice the texture of their clothing, the grit of the road under their feet, and the way the light defines their forms. The rough texture of the protest sign contrasts with the smooth surface of the road. This contrast adds depth and complexity to the image, inviting us to consider the layers of meaning embedded within. The photograph offers a compelling study in contrasts and tones. Markerink’s work reminds me of artists like Roy DeCarava, who also used photography to capture the nuances of everyday life and social realities. It’s a reminder that art is always in conversation with itself, each piece building on what came before. Art offers not answers, but a space for questions.