Card Number 128, Sadie Young, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes by W. Duke, Sons & Co.

Card Number 128, Sadie Young, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes 1880s

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Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Editor: This is Card Number 128 from the Actors and Actresses series featuring Sadie Young, created in the 1880s by Duke Sons & Co. as a cigarette advertisement. It's a collotype print. I find the composition quite striking – a sepia-toned portrait, softly focused. What catches your eye about it? Curator: The strategic use of tonal gradation and lighting interests me most. The limited tonal range—the various shades of sepia—achieves an evocative, dreamlike effect. Consider the sharp contrast where the printed text cuts across the portrait. Editor: That’s an interesting point. The text almost feels disruptive, visually. Are there any other formal elements that stand out to you? Curator: The symmetry, although subtle, provides balance. Note the centrally aligned face, the careful arrangement of the hair mirrored around that axis, and the placement of text and portrait. Also consider the interplay between line and form: the soft, rounded volumes of her figure juxtaposed with the rigid rectangularity of the card. The photographic blurring and softness creates interesting forms throughout, and the contrast with hard printed edges and typography provide additional structure. Do you find these oppositions meaningful? Editor: I think so! The contrast between the sharp text and soft image definitely creates tension. It’s interesting to think about how those choices guide how we view the image. Curator: Indeed. This examination, focused purely on the structural elements, unveils how an apparently simple commercial image can exhibit complexity through careful manipulation of form, line and tone. This brings to the fore how formal elements constitute its significance and impact. Editor: I never thought about a cigarette card having this kind of visual complexity. Thanks! Curator: It has been my pleasure! I look forward to further observations next time!

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