Initial E c. 15th century

Curator: This small but intriguing work, held here at the Harvard Art Museums, is called "Initial E" and is by an anonymous artist. The composition is quite striking for its size. Editor: It is! My first impression is a chaotic little drama. There is a baby in the corner, a monkey climbing on a giant letter "E," some sort of swan-like bird, and another bird. It's whimsical. Curator: It's a great example of how the decoration of letters in illuminated manuscripts and early printed books often incorporated secular and even humorous elements. The grotesque and the playful could coexist with the sacred. Editor: I see what you mean. The sharp contrast between the black ink and white paper creates a very graphic, almost woodcut feel. The texture adds a sort of rawness to the otherwise delicate figures. Curator: These images were often meant to convey messages about social hierarchies, moral lessons, or even political satire, subtly embedded within the decoration. Editor: It is a tiny world packed with meaning. Curator: Absolutely, and considering its original context helps us appreciate the sophistication behind these seemingly simple initials. Editor: Indeed! I love how such a small piece can open up such large questions about art and society.