Christian VIII 1814 - 1885

Johannes Møller created this portrait of Christian VIII as a lithograph sometime in the 19th century. The image is an artifact from a period defined by both the consolidation of national identities and the expansion of print culture. Portraits such as this one played a critical role in constructing and disseminating the image of the monarchy. The lithograph, with its capacity for mass production, allowed for wider circulation of the King's image, shaping public perception. Christian VIII's reign took place during a time of growing national consciousness in Denmark, and the portrait can be seen as an effort to solidify his image as a strong and legitimate ruler. The crown and the laurel frame act as symbols of power and authority, reinforcing his position within the social hierarchy. Yet, the sensitive rendering of the King's face suggests a desire to connect with the populace on a more personal level. Consider how portraits like these negotiate the space between the personal and the political, the individual and the institution.