Self-Portrait by Arnold Rönnebeck

Self-Portrait 1933

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drawing, pencil

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portrait

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drawing

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self-portrait

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figuration

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pencil drawing

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pencil

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nude

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modernism

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realism

Dimensions image: 360 x 248 mm sheet: 400 x 290 mm

Curator: Wow, this drawing gives me the chills, it is almost haunting. The artist depicts what looks like a dissection of the self. Editor: It is, indeed, quite striking! What we have here is Arnold Rönnebeck’s “Self-Portrait” from 1933, created using pencil. Rönnebeck was deeply involved in modernist circles, especially those surrounding Diego Rivera and Frida Kahlo in the US. Curator: Okay, that gives a new layer of insight to what at first appeared as a simple drawing, the work’s intensity hints to social circles with modernist values that challenged the conservative norms and oppression of the early twentieth century. The naked woman with what looks like tailor measures marked directly in her skin reminds me of our constant battle with unrealistic beauty standards. What do you think? Editor: I absolutely agree. Rönnebeck situates himself within the gaze, quite literally—peering out from the lower center. This isn’t merely about aesthetic self-representation, it’s an assertion of artistic control and an examination of how the artist, particularly a male artist, perceives and constructs the female form and self. The presence of tools, such as the plumb bob, traditionally employed to test verticality, and mannequin casts only deepen that reflection. The way the drawing lays bare both interior and exterior forms, like an anatomy textbook, reflects the anxieties surrounding identity during the interwar period, I think. Curator: The drawing feels deliberately unfinished, chaotic… fragmented, much like our own self-perception, never quite whole or resolved. It's a brutally honest reflection, if I might add! And this honest representation serves as a social commentary, the lack of any warm color is replaced with a monochrome aesthetic to reveal both vulnerability and calculated artistic construction. Editor: Right. The modernist exploration, in Rönnebeck's rendering, transforms the nude from an object of beauty into an object of intellectual scrutiny and a site of ideological contestation. The “Self-Portrait” captures this moment, demanding viewers acknowledge the complex layers of self-awareness and social critique embedded within a single image. Curator: Thank you! You gave me the precise tools to enjoy and unravel this hauntingly beautiful artwork even more. Editor: My pleasure. This piece reminds us of art's power to mirror, question, and sometimes even disturb our understanding of the self.

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